“Save the best for last, right?” the designer joked Sunday ahead of her show at The Jewish Museum.

Her spring 2027 ready-to-wear collection paraded around the Washington Square fountain a day after NYFW ended. And on Sunday, nearly a month after NYBFW, she finally got around to showing her second bridal collection at The Jewish Museum.

“Save the best for last, right?” Hay joked in the fifth-floor office space that served as backstage. More seriously, she explained: “I’m just happier not rushing to be part of the thing… There’s something nice about waiting a beat.”

Hay certainly marches to the beat of her own drum. And so do her brides. Of the nine looks she presented inside the “Modernity and Opulence: Women of the Weiner Werkstätte” exhibition, only three were white. “OK, three-and-a-half,” Hay allowed, including a Victorian blouse in white duchesse and a gathered tulle ballerina skirt. “That’s our ‘something blue,’ but there’s also something brown and raspberry. Something lavender.”

That something lavender — a flirty crumb-catcher A-line dotted with rosettes — was worn by Miranda Cooper, a friend of Hay’s business partner Michelle Copelman who ordered it specifically in that color to attend a wedding in Provence this summer. She said everyone was asking her where she got it from, “and I was like, ‘Um, it’s custom.’”

Hay’s decision to include it — and Cooper — in the lineup is a testament to the community she’s built since her bridal debut last season. ” In fact, she already did.

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