North American movie theaters were flooded with new films this weekend, including a video game reboot, a big budget survival thriller and a Jane Austen adaptation.

While Paramount’s “Street Fighter” took the first-place spot, earning $31 million from 3,575 theaters according to studio estimates on Sunday, most of the attention and cultural discourse was elsewhere: On the nearly three-hour Elizabeth Holmes documentary, “You Can See Everything.”

Buzz and box office don’t always line up, but “You Can See Everything” made an extraordinary $15 million from only 855 screens, with over 2,000 sellout showings over the weekend, according to A24. 5 million in 2006, and the biggest nonmusic documentary opening in two decades, since “Fahrenheit 9/11” made nearly $24 million from 868 theaters. Those numbers do not account for inflation. Like other hits this year, like the Gen-Z driven “Backrooms” and “Obsession,” ticket sales for “You Can See Everything” were driven by a largely younger audience. Over 70% of the opening weekend crowd was under 35. The film, directed by Nathan Fielder and Lance Oppenheim, was made in secret over three years. Fielder spent over a month with the disgraced Theranos founder and her family, including two young children and partner Billy Evans, in her final days before reporting to federal prison. The reviews have been extremely positive, with 99% on Rotten Tomatoes and 99 on Metacritic. It also got an unprecedented 91% “definite recommend” from audiences, according to PostTrak exit polls. “You Can See Everything” reportedly cost under $7 million to make and less than $10 million to market.

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