The gown seemed to be a nod to the startlets of the past.
While Ashley Park is usually a more colorful dresser, the actress seemingly decided to go the monochrome route for the 2026 LACMA Gala tonight in Los Angeles. Taking a page from Old Hollywood silhouettes, the “Emily in Paris” star pulled an atelier Prabal Gurung gown in black and white.
The chosen gown was a strapless piece made of a sleek black-and-white fabric. The body of the gown was black, while the white paneling served as an accent. From the strapless bodice came a high waist where fabric was layered and flared out around her hips, down to her legs. This fabric served a similar purpose to something like a train, creating dimension by adding length and width.
While a rarity today, gowns like Park’s were commonplace back in the golden age of Hollywood, seen on starlets like Marilyn Monroe and Audrey Hepburn. These gowns were crafted of a liquid-like silk that caught the camera’s flash with dramatic flares that flattered the form. In the 1930s, it was all about the bias-cut gown that swept the floor, a column-like structure that was exceedingly elegant. As we made our way into the 40s, gowns were structured and polished, toned down in sheen but upgraded via tailoring.
As the 50s rolled around, it was most popular to nip the waist, creating an hourglass figure complemented by voluminous skirts. This change was largely thanks to Christian Dior’s “New Look,” which restructured the way designers created shape when approaching fashion.
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