Originally meant for a wedding, Anya Taylor-Joy repurposed a piece from the Pierre Cardin archives for another special occasion. The look, worn to the 2026 Los Angeles County Museum of Art’s Art+Film Gala tonight, was first shown in 1997 and offers a glimpse of what Cardin believed bridal fashion might look like in the future.

The hature couture gown is a slip style featuring a sheer silver overlay with a floral print. Thin silver metallic straps give way to glistening crystallized appliqués seen throughout the gown that further emphasize the florals, outlining each bloom. The slip-style was layered with a boa of sorts that swept the floor, made of a wavy, iridescent fabric. The textural piece draped around Taylor-Joy’s neck, laying over her forearms before hitting the floor. The boa featured sheer sleeves that the actress put her arms through, serving more as a futuristic shawl.

Cardin’s vision for bridal fashion was a futuristic one, featuring playful textures that strayed from the cookie-cutter traditional silhouettes of the late 90s. The slip harkens to common slip-style bridal gowns seen on the likes of Carolyn Bessette-Kennedy, while the added shawl offers a dramatic touch that looks to silhouettes of the future. Bridalwear of the 90s was slinky and uncomplicated, although others were fairytale-esque in nature with voluminous leg-of-mutton sleeves. It seems Cardin aimed to marry the two silhouettes, balancing the classic slip with the romantic and fun.

” Archival pieces like this one were shown alongside furniture, lighting, fashion sketches, Cardin’s personal photographs, and excerpts from television, documentaries, and feature films.

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