Science fiction literature has never been lacking in spellbinding openers. William Gibson's Neuromancer conjures an entire cyberpunk world with its image of a sky “the color of television, tuned to a dead channel,” while Ursula K. Le Guin writes just four words — “There was a wall” — to introduce one of the most important ideas of The Dispossessed. Other authors, like Frank Herbert with Dune and Dan Simmons with Hyperion, take a more novelistic approach, dropping readers into the strange preparations for Paul Atreides' journey to Arrakis or the pilgrims' desperate voyage to the Time Tombs, respectively.
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