Nathan Fielder and Lance Oppenheim’s sublime documentary, You Can See Everything, has established itself as nothing short of a cultural seismic event. The three-hour brain melter that’s taken over the discourse had an historic opening weekend at the box office, kept the momentum going during its second weekend expansion to 2,655 screens, and is already being positioned to map uncharted territory at next year’s Academy Awards. All this with a logline that almost feels cheekily quaint once you’ve seen it: Fielder encamps with disgraced Theranos CEO Elizabeth Holmes and her family during her last weeks of freedom leading up to the start of her 11-year federal prison sentence.

I went into my YCSE screening with no expectations for what was about to happen, content to just sit back and let the maestro work. It’s a testament to Fielder’s genius that, even with that blank slate baseline in place, I left the theater not only with my head swimming in questions about Holmes’ work, but also interrogating my own.

I’ll join the critic and audience chorus urging you to go see this generational film—in a theater, and as soon as possible, knowing as little about it as possible—before its virality turns every new conversation into a potential spoiler minefield. That said, as much as I’ll try to thread the needle of discussing parts of YCSE without revealing its magic tricks, if you’ve yet to catch a screening, read ahead at your own peril.

Perhaps because I, too, earned a business degree in college before going on to build a creative career centered around seeing what I can get away with, I’ve always felt a certain kinship with Fielder.

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