Mike Flanagan’s Carrie, his first Prime Video series after a string of horror hits at Netflix, has a lot going for it. The casting and performances, led by Summer H. Howell, are fantastic, and the main story feels like a heartfelt, authentic update of Stephen King’s oft-adapted tale of teenage rage.

Other aspects of Carrie, however, are not so successful. King’s book suggests that Carrie White is not the only telekinetic woman out there with wondrous and terrifying powers, and Flanagan leans into that perhaps a bit too eagerly.

We get a little segment in every episode except the first that examines similar cases throughout history, going back to Joan of Arc. But when it comes to Carrie’s world, those broader stakes are a little unclear.

Some of the show’s plot holes could be deliberate, considering Flanagan’s stated hope that Carrie will run for three seasons. And we certainly don’t need every tiny thing spelled out or explained in detail.

But Carrie left behind so many dangling threads, we ended up feeling more confused than satisfied—an unfortunate end to a series that scored so many triumphs along the way.

Emaline West (Thalia Dudek) is an astral projector, something Carrie viewers no doubt realized long before the main character did. We all saw her clutching a blue cup at the party when everyone else had a red one, right? Clever use of props to continue your ruse, Emaline.

Emaline is seemingly there to encourage Carrie to develop her nascent powers.

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