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Metro 2039 devs say the ongoing war in Ukraine has changed how they write morality: 'The franchise's very nature is getting too close to reality'

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Metro 2039 devs say the ongoing war in Ukraine has changed how they write morality: 'The franchise's very nature is getting too close to reality'

The Metro series has its roots in war-scarred post-apocalyptia, as such, it grapples with a lot of themes: The indescribable cost of nuclear war, the grim, complicated grey at the heart of humanity, and the cost of human life in a world no longer built to support it.

Which, to those developers who founded the studio in Ukraine and have been under similar duress as their contemporaries at GSC, has become all too real of a prospect. The studio even tragically lost one of its animators, Andrii 'Nizrok' Korzinkin, who fought and died in Russia's ongoing invasion of Ukraine in 2022.

Speaking to Eurogamer's Dom Peppiatt in an interview concerning the studio's latest game Metro 2039, executive producer Jon Bloch tells the site: "The previous games were about preventing war; the themes and the morals and all that supported this idea that revolved around 'how do we as humans stop the cycle that we keep finding ourselves in'.

"And when Russia started its full-scale invasion of Ukraine, that brought war to our doorstep. Now, our team has been living in a state of war for the last four and a half years. And that changes things. Significantly."

This manifests for 4A Games as a major shift in how it thinks about morality. Namely, this idea that a post-apocalyptic world has to deal with shades of grey—the 'everyone is the hero of their own story' idea that comes from an imagined world where resources are scarce and everyone's starving.


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